Biografi Kahlil Gibran

• Kahlil Gibran, baptized Gibran Khalil Gibran, the oldest child of Khalil Gibran and his wife Kamila Rahme, was born January 6, 1883, in Besharri, Lebanon, then part of Syria and the Ottoman Turkish Empire. His childhood in a village beneath Mt. Lebanon included few comforts, and he had no formal early education.
• Kahlil Gibran meninggal di New York City pada tanggal 10 April 1931, penyebabnya karena sirosis hati dan TBC. Sebelum kematiannya, Gibran mengatakan keinginan untuk dikuburkan di Lebanon. Keinginan ini dipenuhi oleh kekasihnya Haskell pada tahun 1932. Berikut adalah kata-kata mutiara Kahlil Gibran.
• Biografi Kahlil Gibran Oleh: Mushlihin, S.Pd.I, M.Pd.I Pada: May 06, 2013 Nama aslinya adalah Gibran atau Jubran, lengkapnya adalah Gibran Kahlil Gibran atau lebih tepat lagi Jubran Khalil Jubran.

• Kahlil Gibran On Family
• Who Is Kahlil Gibran
• Biografia Kahlil Gibran Resumen

Gubran Kahlil Gubran was born in Bsharri, Lebanon on January 6, 1883 to a Maronite Catholic family. Can my pc run fortnite. Gibran was the son of Khalil who was the third husband of his mother Kamila.

Born: January 6, 1883
Besharri, Lebanon
Died: April 10, 1931
New York, New York
Lebanese poet, author, and artist

Lebanese writer and artist Kahlil Gibran influenced modern Arabic literature and composed inspirational pieces in English, including The Prophet.

Childhood and early career

Kahlil Gibran, baptized Gibran Khalil Gibran, the oldest child of Khalil Gibran and his wife Kamila Rahme, was born January 6, 1883, in Besharri, Lebanon, then part of Syria and the Ottoman Turkish Empire. His childhood in a village beneath Mt. Lebanon included few comforts, and he had no formal early education. However, he received a strong spiritual influence from legends and biblical stories handed down through generations.

Seeking a better future, the family, except for his father, moved to the United States in 1895. There they joined relatives and shared an apartment in South Boston, Massachusetts. While registering for public school, Gibran's name was shortened and changed. His life changed when a local art teacher noticed his artistic skill and arranged for Gibran's introduction to photographer Fred Holland Day in December 1896. After discovering Gibran's talent for literature and art, Day declared him to be a 'natural genius' and became his mentor, or teacher. Gibran soon designed book illustrations, sketched portraits, and met Day's friends. He then went to Beirut, Lebanon, in 1898 to attend Madrasat-al-Hikmah, a college where he studied Arabic literature and started a literary magazine.

An inspired career

Upon returning to Boston, Gibran resumed his art work and renewed his friendship with Day. In 1904 Gibran and another artist exhibited their work at Day's studio in Boston. Here Gibran met Mary Elizabeth Haskell, who became his patron (supporter) as well as his tutor in English for two decades. She aided several talented, needy people and was a major factor in Gibran's success as an English writer and artist.

From 1908 to 1910 Haskell provided funds for Gibran to study painting and drawing in Paris, France. Smart identity pro serial key. Before going to France, he studied English literature with her and had an essay, 'al-Musiqa' (1905), published by the Arabic immigrant press in New York City. Diverse influences, including Boston's literary world, the English Romantic poets, mystic William Blake (1757–1827), and philosopher Nietzsche (1844–1900), combined with his experience in Lebanon, shaped Gibran's artistic and literary career.

Gains fame

After 'Spirits Rebellious,' an Arabic poem, was published in 1908, Gibran was called a reformer (one who seeks social improvements) and quickly became influential in the Arabic world. He soon became the best known of the 'Mahjar poets,' or immigrant Arabic writers. His most respected Arabic poem is the 'The Procession' (1919).

Gibran soon made his mark on the New York artistic and literary world as well. His first work in English appeared in 1918 when The Madman was published. The parables (stories that illustrate a moral or religious lesson) and poems on justice, freedom, and God are illustrated by three of Gibran's own drawings.

In October 1923 The Prophet was published, and it sold over one thousand copies in three months. The slim volume of parables, illustrated with Gibran's drawings, is one of America's all-time best selling books, with its fame spreading by word of mouth. By 1931 The Prophet had been translated into twenty languages. In the 1960s it reached new heights of popularity with American college students.

Later career and legacy

Although in failing health, Gibran completed two more books in English— Sand and Foam (1926) and Jesus, The Son of Man (1928). After his death, earlier essays were compiled and published, and his Arabic work was translated into many languages.

Itube free playlist manager for youtube download. Gibran was forty-eight when he died in New York City on April 10, 1931, of cancer of the liver. The Arabic world praised him after his death as a genius and patriot. A

large group greeted his body upon its return to Besharri for burial in September 1931. Today Arabic scholars praise Gibran for introducing Western romanticism and a freer style to strict Arabic poetry. 'Gibranism,' the term used for his approach, attracted many followers.

The young emigrant from Lebanon who came through Ellis Island in 1895 never became an American citizen; he loved his birthplace too much. But he was able to combine two heritages and achieved lasting fame in widely different cultures. The following passage from Sand and Foam illustrates Gibran's message:

Faith is an oasis in the heart which will never be reached by the caravan of thinking. How can you sing if your mouth be filled with food? How shall your hand be raised in blessing if it is filled with gold?

For More Information

Gibran, Jean, and Kahlil Gibran. Kahlil Gibran, His Life and World. New York: Interlink Books, 1991.

Hilu, Virginia. Beloved Prophet, The Love Letters of Kahlil Gibran and Mary Haskell and Her Private Journal. New York: Knopf, 1972.

Young, Barbara. This Man from Lebanon. New York: Knopf, 1945.

Gibran Khalil Gibran was born in Bisharri, Lebanon on 6 January 1883. At the age of twelve he emigrated with his mother, halfbrother and two younger sisters to the United States, where his first name was dropped and the spelling of ‘Khalil' was changed to ‘Kahlil' to suit American pronunciation. Once the family had settled in Boston, he returned to Lebanon for two years to study, and for a brief visit four years later in 1902, but otherwise never saw his native land again. Of the four members of his family in Boston, three fell untimely victims to tuberculosis; only Mariana, his first sister, survived beyond 1903 and would eventually outlive Kahlil himself.
While at school, Gibran

developed a keen interest in literature and showed a flair for painting and drawing. At the age of twenty-two, his artistic talents were recognized by Fred Holland Day, a well-known Boston photographer, who organized an exhibition of his paintings. Another exhibition followed at the Cambridge School, whose owner and headmistress, Mary Haskell, subsequently became Gibran's confidante, patron and benefactor.[1]
Biography Of Kahlil Gibran. Up to this point Gibran's writings had been little more than sketches, some of which provided material for later works. As yet not completely fluent in the English language, he began writing for an Arabic newspaper in Boston, and in 1905 his first book, Al-Musiqah (Music), was published. This was followed by ‘Ara'is al-Muruj (Nymphs of the Valley), in which he was fiercely critical of Church and State. He became known as something of a rebel, a reputation he confirmed with Al-Arwah al-Mutamarridah (Spirits Rebellious) in 1908.
The next two years were spent as a student at the Académie Julien and the Ecole des Beaux Arts in Paris, thanks to the generous sponsorship of Mary Haskell. In Paris he met the sculptor Auguste Rodin, who is said to have compared Gibran's work to that of William Blake – Gibran's fellow visionary in mode of thought, views on Church and State, grace of spirit and artistic style.

Gibran's subsequent paintings and drawings contain many echoes of both Blake and Rodin, and Blake's influence pervades his writings.
Whilst in Paris he sketched portraits of a number of eminent people, including Rodin himself, the composer Claude Debussy, the actress Sarah Bernhardt and the poet W.B. Yeats. A particularly indelible impression was left on Gibran by another who sat for him while visiting the United States: Abdul Baha, son of the founder of the Baha'ي Faith. Abdul Baha's message celebrated the power and efficacy of an all-embracing unity. He emphasized the need to reconcile opposites, create harmony, and recognize the complementary values of each entity. It was this vision of unity in diversity that captured Gibran's thinking and philosophy. The influence of Abdul Baha on Gibran has been estimated in Susan Reynolds' interesting paper in which she states:

Gibran said of Abdul Baha, ‘For the first time I saw form noble enough to be a receptacle for the Holy Spirit';[3] and years later Gibran stated that Abdul Baha had provided a model for his Jesus, the Son of Man.[4] On his return to Boston, Gibran proposed marriage to Mary Haskell, who was ten years his senior. She declined the offer, but remained his lifelong friend and collaborator.
Biography Of Kahlil Gibran. In 1912, Gibran moved to New York on the advice of his friend and fellow Lebanese émigré writer Ameen Rihani, and rented a studio which he called ‘The Hermitage'. The same year saw the publication of his Al-Ajninal al-Mutakassirah (The Broken Wings), a semi-autobiographical tale of unrequited passion.
Dam'ah wa'Ibtisamah (A Tear and a Smile), a collection of prose poems, followed in 1914. Around this time Gibran began corresponding with May Ziadah, a young Lebanese writer living in Egypt, and over the next twenty years they formed a unique relationship, a love affair that took place entirely in their letters to one another, without their ever meeting.[5]
During the war years Gibran consolidated his knowledge of English, and by 1918 he was sufficiently fluent in the language of his adopted country to write and publish his first book in English. This was The Madman, a collection of Sufi style parables. Two other Arabic works, Al-Mawakib (The Procession) and the powerful Al-‘Awasif (The Tempests), as well as Twenty Drawings, a collection of his artwork with an introduction by Alice Raphael, preceded the publication of his second book in English, The Forerunner, its form being similar to that of The Madman. Soon afterwards Gibran and a group of fellow Arab émigré writers formed Arrabitah (the Pen Bond), a literary society that exerted a crucial shaping influence on the renaissance of Arabic literature in the United States. Among the founders was the distinguished Lebanese writer Mikhail Naimy, by now one of Gibran's closest friends.[6]
The yearning for wahdat al-wudjud (unity of being) – the Sufi concept with which The Prophet is infused – was encapsulated in Gibran's only play and last major Arabic work, Iram Dhat al-‘Imad (Iram, City of Lofty Pillars). Published in 1921, it was a worthy precursor to The Prophet and incorporates many of the metaphors that Gibran

Kahlil Gibran On Family

was to use so successfully in the latter.[7] A smaller Arabic work, Al-Badayi' wa'l-Tarayif (Beautiful and Rare Sayings), followed in 1923, but this was completely overshadowed by the publication in the same year of his third book in English, The Prophet.

Who Is Kahlil Gibran

The success of The Prophet was unprecedented and won him universal recognition and acclaim; in America it outsold all other books in the twentieth century except the Bible, a major influence on its style and thought.
Biography Of Kahlil Gibran.After the success of The Prophet, Gibran's health greatly deteriorated, but he managed to complete another four books in English: Sand and Foam (1926), The Earth Gods (1931), The Wanderer (published posthumously in 1932), and the finest of his late works, Jesus, the Son of Man (1928), a highly original collection of stories about Christ. Gibran died on 10 April 1931, at the age of just forty-eight, the cause of death being diagnosed as cirrhosis of the liver. His body was taken back to Lebanon and buried in a special tomb in Bisharri. An unfinished work called The Garden of the Prophet, which he intended as one of two sequels to The Prophet, was completed and published in 1933 by his companion and self-proclaimed disciple and publicist, Barbara Young.

developed a keen interest in literature and showed a flair for painting and drawing. At the age of twenty-two, his artistic talents were recognized by Fred Holland Day, a well-known Boston photographer, who organized an exhibition of his paintings. Another exhibition followed at the Cambridge School, whose owner and headmistress, Mary Haskell, subsequently became Gibran's confidante, patron and benefactor.[1]
Biography Of Kahlil Gibran. Up to this point Gibran's writings had been little more than sketches, some of which provided material for later works. As yet not completely fluent in the English language, he began writing for an Arabic newspaper in Boston, and in 1905 his first book, Al-Musiqah (Music), was published. This was followed by ‘Ara'is al-Muruj (Nymphs of the Valley), in which he was fiercely critical of Church and State. He became known as something of a rebel, a reputation he confirmed with Al-Arwah al-Mutamarridah (Spirits Rebellious) in 1908.
The next two years were spent as a student at the Académie Julien and the Ecole des Beaux Arts in Paris, thanks to the generous sponsorship of Mary Haskell. In Paris he met the sculptor Auguste Rodin, who is said to have compared Gibran's work to that of William Blake – Gibran's fellow visionary in mode of thought, views on Church and State, grace of spirit and artistic style. Gibran's subsequent paintings and drawings contain many echoes of both Blake and Rodin, and Blake's influence pervades his writings.
Whilst in Paris he sketched portraits of a number of eminent people, including Rodin himself, the composer Claude Debussy, the actress Sarah Bernhardt and the poet W.B. Yeats. A particularly indelible impression was left on Gibran by another who sat for him while visiting the United States: Abdul Baha, son of the founder of the Baha'ي Faith. Abdul Baha's message celebrated the power and efficacy of an all-embracing unity. He emphasized the need to reconcile opposites, create harmony, and recognize the complementary values of each entity. It was this vision of unity in diversity that captured Gibran's thinking and philosophy. The influence of Abdul Baha on Gibran has been estimated in Susan Reynolds' interesting paper in which she states:

Gibran said of Abdul Baha, ‘For the first time I saw form noble enough to be a receptacle for the Holy Spirit';[3] and years later Gibran stated that Abdul Baha had provided a model for his Jesus, the Son of Man.[4] On his return to Boston, Gibran proposed marriage to Mary Haskell, who was ten years his senior. She declined the offer, but remained his lifelong friend and collaborator.
Biography Of Kahlil Gibran. In 1912, Gibran moved to New York on the advice of his friend and fellow Lebanese émigré writer Ameen Rihani, and rented a studio which he called ‘The Hermitage'. The same year saw the publication of his Al-Ajninal al-Mutakassirah (The Broken Wings), a semi-autobiographical tale of unrequited passion.
Dam'ah wa'Ibtisamah (A Tear and a Smile), a collection of prose poems, followed in 1914. Around this time Gibran began corresponding with May Ziadah, a young Lebanese writer living in Egypt, and over the next twenty years they formed a unique relationship, a love affair that took place entirely in their letters to one another, without their ever meeting.[5]
During the war years Gibran consolidated his knowledge of English, and by 1918 he was sufficiently fluent in the language of his adopted country to write and publish his first book in English. This was The Madman, a collection of Sufi style parables. Two other Arabic works, Al-Mawakib (The Procession) and the powerful Al-‘Awasif (The Tempests), as well as Twenty Drawings, a collection of his artwork with an introduction by Alice Raphael, preceded the publication of his second book in English, The Forerunner, its form being similar to that of The Madman. Soon afterwards Gibran and a group of fellow Arab émigré writers formed Arrabitah (the Pen Bond), a literary society that exerted a crucial shaping influence on the renaissance of Arabic literature in the United States. Among the founders was the distinguished Lebanese writer Mikhail Naimy, by now one of Gibran's closest friends.[6]
The yearning for wahdat al-wudjud (unity of being) – the Sufi concept with which The Prophet is infused – was encapsulated in Gibran's only play and last major Arabic work, Iram Dhat al-‘Imad (Iram, City of Lofty Pillars). Published in 1921, it was a worthy precursor to The Prophet and incorporates many of the metaphors that Gibran

Kahlil Gibran On Family

was to use so successfully in the latter.[7] A smaller Arabic work, Al-Badayi' wa'l-Tarayif (Beautiful and Rare Sayings), followed in 1923, but this was completely overshadowed by the publication in the same year of his third book in English, The Prophet.

Who Is Kahlil Gibran

The success of The Prophet was unprecedented and won him universal recognition and acclaim; in America it outsold all other books in the twentieth century except the Bible, a major influence on its style and thought.
Biography Of Kahlil Gibran.After the success of The Prophet, Gibran's health greatly deteriorated, but he managed to complete another four books in English: Sand and Foam (1926), The Earth Gods (1931), The Wanderer (published posthumously in 1932), and the finest of his late works, Jesus, the Son of Man (1928), a highly original collection of stories about Christ. Gibran died on 10 April 1931, at the age of just forty-eight, the cause of death being diagnosed as cirrhosis of the liver. His body was taken back to Lebanon and buried in a special tomb in Bisharri. An unfinished work called The Garden of the Prophet, which he intended as one of two sequels to The Prophet, was completed and published in 1933 by his companion and self-proclaimed disciple and publicist, Barbara Young.

Biography Of Kahlil Gibran.Footnote:

Biografia Kahlil Gibran Resumen